Wood Wall Panel

A: 3D carved panels, fluted and reeded panels, wood slat and acoustic panels, mosaic panels, flat solid wood panelling, Shou Sugi Ban charred cladding for exteriors, and made-to-drawing architectural panels.

A: A solid wood panel is machined from timber throughout, so the profile depth is real and it can be sanded and refinished. A veneered panel is a thin layer of real wood pressed onto an MDF, HDF or plywood core, which stays flatter over large spans and costs less, but the face layer limits how deep a profile can be cut.

A: Yes. Length, width, thickness, groove profile, texture depth, wood species, stain colour and edge detail are all made to order. Send a drawing, a reference photo or a project specification and we quote against it.

A: MOQ is flexible and typically starts at 50–100 m² depending on the design. A catalogue profile carries a lower minimum than a newly tooled one, because a new profile means new cutters and a setup run.

A: Yes. Standard samples are free with shipping at your cost, and custom samples are made to your specification. Sampling turnaround is around 3 days. A full-size production sample of the actual profile is then approved before the batch is released.

A: Standard production runs 15–30 days after order confirmation, with priority scheduling for urgent projects. Species availability, profile complexity and finishing system move the date — oiled finishes need cure time between coats, and charred finishes add burn, brush and oil stages.

A: Our acoustic panels use a recycled PET core behind an E0-grade MDF and veneer face, reaching a noise reduction coefficient up to 1.11 depending on the assembly tested. Measurable absorption comes from the complete build-up: slat geometry, felt or mineral wool backing, cavity depth and fixing method. Sound absorption reduces echo inside a room; it is not soundproofing and will not stop sound passing between rooms.

A: Interior panels are made for stable, conditioned spaces. For wet areas and facades, use thermally modified or charred timber with an exterior-grade finish, ventilated battens behind the boards, and a drainage gap, so the timber can move and dry.

A: Adhesive suits flat, dry substrates and light panels. Clip or keel systems suit heavy solid wood and any wall that needs later access. Timber battens or a metal subframe are used on uneven walls, on ceilings and on all exterior cladding.

A: Boards are sorted by tone before machining, a batch is finished from a single stain lot, and an approved reference sample travels with the batch. Some variation is inherent to real timber; layout drawings can distribute it deliberately rather than letting it group.

A: Yes. Send elevations, sections and a finish schedule. We return a shop drawing showing panel splits, corner treatment, edge details and fixing positions for approval before cutting.

A: Charred cladding lasts 20–30 years outdoors and longer indoors. The charred surface resists rot, insects and weathering without chemical preservatives. Left alone it weathers to a silver-grey patina; to hold the original black tone, reapply natural wood oil every 2–3 years outdoors. Clean with a soft brush or damp cloth — never pressure-wash.

A: European Red Pine, Larch, Mongolian Scotch Pine and Cedar. These species take the burn evenly and stay dimensionally stable afterwards. Standard board size is 4000 × 135 × 20 mm, with light, medium and deep char levels available.

A: Faces are film-protected, edges take corner guards, panels are bundled by profile and colour batch, then loaded into moisture-barrier lined cartons and fumigation-compliant wooden crates or pallets. Cartons are marked with project reference, profile code and batch number.